My first fictional “baby” was
sent out of the nest this past weekend.
Circle of Justice is actually a story I wrote almost twenty years ago,
and which I have rewritten every year since.
Well, okay, I admit that was an exaggeration. There were several years that I kept it
hidden in a file cabinet or buried in a desk drawer believing it not to be
ready to be viewed by the world or even my mother. It wasn’t just that the story wasn’t
ready. The truth is, I wasn’t ready,
either.
It’s nerve-wracking, to be
honest. I’ve written for magazines
before, first sending out the query letter that proposed an idea and then
waiting for some editor to either give me a thumbs up or a thumbs down. If it was thumbs down, I’d pick another
market and send it back out. The only
three people who knew I had faced rejection were the editor, Char, and me. On the other hand, if I was lucky enough to
get the go ahead, I’d commence writing the allotted words and eagerly send it
out with high hopes into the mail system.
Even then, however, the sale wasn’t a guarantee. Quite a bit can happen between “Yes, we want
to see it” and the manuscript actually landing on an editor’s desk as promised.
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Cover Art by Sarah E. Ahrens |
However, for some reason fiction
has always been harder for me to let go of than nonfiction. While I pour a lot of myself into my
articles, they are really just facts and suggestions, a sharing of ideas. I’m quite used to people not appreciating my
suggestions, so when the article gets rejected I don’t take it personally. Fiction, on the other hand, to me is quite
another story. (Sorry, I couldn’t
resist.)
Creating The Mess that is Me was
a step in pushing the “kids” out of the nest.
It was a more personal writing experience as quite often it wasn’t just
my viewpoints on things, but sharing the inner workings of our family. It opened us up to critiques and either
laughter or praise. Most of the essays
are close to the heart and rejection of them stings quite a bit more than a
cold form rejection letter.
However, for reasons I have only
come to realize, my fictional writing is much more personal than even my autobiographical
pieces. These stories represent people
that I have spent time getting to know intimately, situations and places that
have grown from within me to fill the blank pages. I’ve felt what they’ve felt, experienced their
roller coaster journeys as they struggled through them. Together we’ve faced betrayal and even
murder, love as well as passion. I know
their secrets and in a way they know mine.
These aren’t just characters. They’re
friends.
As readers we get to know the players
in a story and we feel for them, grow to love or hate them, and if the writer
has done his job well, we forget that they are not real people. For that to happen, the writer has to make
them come alive, and he can only do that by spending time with them. In the writing process, characters cease to
be characters and become people with opinions and motives of their own. Sometimes, even the writer doesn’t see what’s
about to happen.
Putting them out to a fickle world
is almost like gossiping about their lives, which, truthfully, is what we’re
really doing. As the authors, we know
all about these people and we’re in essence saying, “Look at what Faith did
here in the warehouse with Edwin.”
Readers are peeping Toms and writers are the ones holding the curtains
open. We’re exposing things real people
would want to keep hidden.
With each story I put out, I am
inwardly saying, “Meet my friends.
Please, be kind to them.” Of
course, that doesn’t keep me from killing some of them off or allowing them to
go through hell, sometimes literally.
Still, these are people I have grown to care about and whose company I
enjoy.
However, it’s time for all of
them to leave the nest, and for my physical friends to finally meet my
imaginary friends. Hopefully, everyone
plays nice; well, at least a little bit nice.
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