
So settle back with that morning cup of coffee or tea and enjoy another great post by Giselle Marks and then visit her on her website or several Facebook pages. You'll be glad you did.
My
Writing Process
I have been asked a few times to write
an article on my writing processes and I have always answered that I don’t have
a process, I just write. However I have thought about the question and decided
what I consider “just writing” could have a better explanation. From fairly
young I realized I was good at writing. I love words, despite teachers at my
grammar school using copying sections of the dictionary out as a punishment.
Friends boast of their first writing
credits, over the moon at seeing their name in print, but decades have passed since
I first sold articles and was given accreditation. I never thought about
writing, I just did it. I wrote articles; some for money, some for promotional
purposes and some because I was asked by friends to write something. I was
involved in some amateur magazines and published in some professional titles. I
also worked part-time for a small local newspaper for a couple of years.
My first serious fiction writing began
after reading a couple of feminist sci-fi books that were loaned me by a
friend. I loved the stories and writing style but argued that in reality,
female government would not be that nice. The discussion got quite complicated
but she dared me to write a fantasy/ sci-fi story using my premise as
structure. And so the “Zeninan saga” was born, and has continued increasing
ever since. I never intended to write a series but just one book to prove my
point.
Although I was a competent non-fiction
writer, I had not read the fiction writers’ bibles. The concepts of show not
tell, over passive writing, too much back story, infotab, excessive reported
speech and other writing problems had not been revealed to me. If I had known
what I know now about writing fiction, I would never have written a cast of
thousands with multiple points of views and telepaths. But I thought I knew how
to write, so I plowed on regardless and created my female run planetary
Empire of Zenina, where women were physically stronger than men and were in
control.
It should be remembered I was writing to
demonstrate my argument not because I was driven to write. Looking back I
realize that writing “the Zeninan Saga” I was expressing my irritation at some
of the genre’s writers’ determination to remake life as they wished and not as
it would really be. So my dominant women were given the extreme attitudes of
human men towards women only with the sexes reversed.
I have often felt that traditional sword
and sorcery fantasies move too far away from real life in their monumental
quests for freedom and power. A mixed
sex and race group; sets off together for months travelling long distances,
over unpleasant terrain and battling against bizarre mythological and demonic
creatures. The group contains fit and
attractive young people yet they do not flirt, make approaches to each other or
get it on. Somehow no matter how sacred the quest, that has always seemed
unlikely to me. Many of these stories forget to mention the problems of
carrying stores of food, water, hunting or foraging to supplement these
supplies or cooking their meals.
The characters never admit to feeling
crippling hunger, thirst or get upset stomachs from eating bad food. They do
not need to stop to go to the lavatory or dig latrines. They are always
appallingly brave about their injuries from battle and usually heal well unless
magic or poison has caused their sickness. They go through interminable
suffering with fortitude only to become panic struck by public speaking and
ceremonial events. I am not saying I managed to avoid all these clichés; in
fact sometimes I used them deliberately because to start with “the Zeninan
Saga” was a bit of a spoof.
The first book emerged the same length
as “Lord of the Rings” but it has since been cut into shorter more readable
books. There have been rewrites and editing, followed by more rewrites, editing
and even name-changing before the Saga found a publisher. However having
allowed my “Amazons” to keep male sex slaves, it is not surprising that there
is quite a lot of sexual content in the Saga which is still fantasy/ sci-fi
with erotic content but not erotica per se.
I originally wrote an essay plan and
invented my characters, I was surprised to find that they argued with me over
the plot and each had their own ideas of how their characters should be
written. My heroine Princess Marina despite suffering from serious
over-achieving is obstinate at fighting her destiny to be Queen; she does not
want the job. The stories about her life continued whether I wanted to write about
her or not.
Then I decided to write a Regency
Romance in the hopes of getting published. I wrote two before I found a
publisher. The much simpler structure of Regency Romance allowed me to learn
more of the craft and finally read some of the writing advice I should have
read before writing full length books. As a Regency writer I have also kicked a
little at a genre I love reading, but often feel frustrated by. I am very
determined to get my historical details as accurate as possible and therefore
research and double check even facts that I believe are correct. I find reading
so called historical romances which are littered with anachronisms unsatisfying
and occasionally hilarious, which is not the aim of a sexy romance. Worse some
writers avoid all facts and details, believing that way they can avoid doing
any research, which just leaves the reader in limbo.
Finally accepting the problems in “the
Zeninan Saga” I undertook an exhaustive series of rewrites and dramatic
slashing of my favourite pieces of writing. Eventually I asked people to read
the new versions and was staggered to hear their criticisms of it. More editing
and rewrites followed. I was convinced my critics could not all be right about
how bad they said my writing was. Unfortunately, it was not until I took those
criticisms on board that I understood what was needed to make it readable for
others. The Saga still has various writing problems but Nevermore Press have
accepted the first four books for publication and I hope to be commencing a
final series of edits and rewrites in spring of this year, prior to publication.
You might think I have digressed rather
seriously from my original subject. So my writing process: if I have an idea of
a plot I write it down but may not then work on it for some time. My characters
argue the details of their plots and actions in my head, until it makes sense
and I can start writing. I insert the essay plan, if any, into the first
chapter and write in front of it, wiping out lines of plan as I get it written
and adding plot details to the essay plan as I go along. If there is any difficulty
in writing the next chapter, I go back to the beginning and correct, edit and
rewrite until the story flows once more.
I frequently write different stories at the same time. If one is not
ready to be written then I write something else or do another writing chore.
I do not believe in “Writer’s Block”
which I see as a self-fulfilling negative concept. If a story is not ready to be completed then
I am in “Thinking Time” and do something else until it is ready to write. Some
of my stories and more recently poems have come to me on waking from dreams and
I write them down. I write as much as I
can in a day, only editing obvious mistakes as I go along. The following day I
reread the previous day’s work and edit.
I may delete the whole of it and start again, cut it drastically, or
just tweak a few words here and there. When I reach the end of the writing, I
continue with the story until life or exhaustion interrupts.
I try to write every day and am grumpy
if life prevents me from writing. I do not set myself a daily word goal, a
couple of hundred words is better than no progress. If for some reason or other
I have a few days off from writing, I do not berate myself for only writing a
paragraph or two. But the output increases
as I get back into the swing of things. It is better to write anything, no
matter how bad, even if the following day you rewrite from scratch, than not to
write at all. Criticize yourself but not to the point of preventing yourself
from writing. Throw nothing away! Just
move discarded writing to a separate file. Only by writing more, do you improve
your writing. Despite having two novels and a couple of short stories published
in anthologies I do not see myself as an expert writer. Even now I have a
contract for “the Zeninan Saga” I think of myself as a journeyman writer who
hopes to continue to improve her craft.
~ ~ ~ ~ ~
The Marquis's Mistake
by Giselle Marks
Devastatingly handsome Sebastian, Marquis of Farndon awaits a lady, a present from his best friend Stephen for his thirtieth birthday. Alicia Lambert fleeing from a forced marriage is shown into his room by mistake. Inebriated from celebrating his return to England, Sebastian disbelieves her protests and is reluctant to let her escape. Meeting him later in London, Alicia is relieved he does not recognise her. But when he pursues her and proposes marriage, she doubts his feelings for her are real. Sebastian wants to protect Alicia from the machinations of the blackguard Major Mallinder as he fears for her life and that of her aunt Maud. But will Sebastian’s natural intelligence be enough to deal with the ruthlessness of Alexander Mallinder?
by Giselle Marks
Devastatingly handsome Sebastian, Marquis of Farndon awaits a lady, a present from his best friend Stephen for his thirtieth birthday. Alicia Lambert fleeing from a forced marriage is shown into his room by mistake. Inebriated from celebrating his return to England, Sebastian disbelieves her protests and is reluctant to let her escape. Meeting him later in London, Alicia is relieved he does not recognise her. But when he pursues her and proposes marriage, she doubts his feelings for her are real. Sebastian wants to protect Alicia from the machinations of the blackguard Major Mallinder as he fears for her life and that of her aunt Maud. But will Sebastian’s natural intelligence be enough to deal with the ruthlessness of Alexander Mallinder?
~ ~ ~ ~ ~
Where can you find Giselle?
“The Marquis’s Mistake” and “The Fencing
Master’s Daughter are published by Front Porch Romance and are available on
Amazon in paperback and e-books! http://preview.tinyurl.com/ojd8zz8
Facebook author pages:- https://www.facebook.com/GiselleMarks?fref=ts
Wordpress:- http://gisellemarksthoughts.wordpress.com/
Web site:- http://ginafiserova.wix.com/gisellemarks
~ ~ ~ ~ ~
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It's a helluva way to come into fiction writing, but hey, it must have all been in there lurking or it wouldn't have poured out so readily.
ReplyDeleteAnd you know you really ARE a writer when your characters start bullying you
Great words--especially about people boasting. Thanks so much for sharing. I'll be bookmarking this one!
ReplyDeleteWonderful post Giselle. ...and I am so glad your friend dared you. I love Princess Marina and the Zeninian saga! Your journey will continue and I am so excited to read your stories. I really enjoyed The Marquis's Mistake and The Fencing Master's Daughter
ReplyDelete